Wedding Photographers of French Riviera, PACA
French Riviera Elopement Photographers
YOU CAN'T STOP LOVE - In recent days, some of our France photographers have expressed their desire to accommodate couples who don’t want to wait to be married and are rushing the ceremony.
Many brides and grooms around the globe are planning to elope and deciding to reschedule their original ideas for a big event because of current covid restrictions, social distancing, and mask requirements. They are getting wed on a whim, but dispensing with or postponing all else.
The WPJA has an abundance of top-ranked, documentary-style elopement photographers who are available right now who understand that some weddings can’t wait. Find yours today!
Elopement Photographers for Small PACA Weddings
Shooting an elopement or small French Riviera wedding event is a wedding photojournalist’s dream: a fairly open schedule with lots of breathing space for creativity – it’s just the photographer, the couple, the officiant, and perhaps a few select companions.
Members are ready to document any civil ceremony, pop-up, mini, or elopement wedding, even if it is a Monday-Thursday ceremony. Search for the “Can Shoot Weddings on Short Notice!” message on the listings below.
We are anxious to create a picture story chronicling your unique, non-traditional, romantic, small wedding from beginning to end. In this sense, it is no different from any other event that we have covered. The emphasis is on documenting key moments, capturing spontaneous displays of emotion, telling your real love story, as well as creating artistic portraits and details.
Map of Wedding Photojournalists Serving French Riviera Couples
3 Documentary Wedding Photographers...
My name is Colas… like Nicolas, without the « N ». Don’t ask me why it’s just like that! I’m a wedding photographer (as you might have gathered) and above all, I’m curious and passionate about many things. I travel a lot and have lived abroad for many years. These multiple destinations have brought me a lot. Getting to know people, being interested in their culture, their history. Simply sharing and exchanging with them. Escaping, feeling free and being fully aware of these sensations. Enjoying the little things in life, this is what motivates me every day. And all these interactions help me seize the moments that I’ve managed to capture in pictures. Each and every shoot, be it during a wedding, a couple or family session, is fueled with the same passion. Blending creativity and authenticity, I’ll deliver natural and genuine photos of you and your emotions. On a daily basis, you’ll find me in a calm tree-filled district of Marseille, in Provence. I live with my life partner, my greatest support, Liza. And over the last few years, we’ve shared another beautiful adventure together: our daughter Miss K. Why I choose wedding photography? Before talking about wedding photography, let’s talk about photography. You could say it actually came to find me, through obligation, when I was studying History of Art. I needed to carry out a number of reproductions for my research papers and couldn’t bear the old photocopy machine in the archives room which was constantly needing to be fixed. So I bought a digital camera and that was a revelation. I trained by myself whilst pursuing my studies. Then, after meeting influential and helpful people, I was able to progress rapidly. I then joined a regional newspaper team. Everything was going well when one day, a photographer friend of mine asked me to replace her on a wedding shoot. She was ill and had no other solution. It was the beginning of a beautiful adventure, a learning path filled with emotions, an experience that goes on to this day. My Philosophy: Bringing you an exceptional photographic documentary of your wedding is my goal. Being first and foremost a photographic-reporter, my aim is to capture all the key moments during a wedding in a natural and creative way. These emotions will thus be treasured and serve to relive this special day and share it with your friends and family. During a wedding, it is actually the bride and groom that MAKE the photos. The final outcome of my work it intrinsically linked to their state of mine. Which is why I always accompany you discreetly, yet with a smile. It is important that I should know you but also take time to meet you first. Knowing what your wishes are but also what you don’t want, is essential. We need to build a partnership fully based on trust. A wedding is actually a team job. As much as you need ME to capture these moments, I also need YOU to play the game so as to bring out the best of my creativity in the photos. Your expectations must be met. And on your special day, I often become much more than just your wedding photographer. Pressure can be such that sometimes, brides turn to me when they can’t find an answer to a question. They confide in me in this moment of doubt. It is therefore essential that we work together, hand in hand, so I can guarantee you the most beautiful souvenirs of your wedding. So you can simply treasure the magic of your special day. In order to dedicate myself fully to each wedding, I only take a limited number of weddings every year. You all matter immensely to me. And it is essential that I can be there for each bride and groom with the same availability and energy. If my state of mind and work ethos resonates with you, and should you wish to find out more, I’d be delighted to hear from you. I look forward to hearing from you and getting to meet you here under the Provençal blue sky. And if you still have trouble remembering my name, just think of the old children’s song : « Fais dodo Colas mon p’tit frère… » [Marseille Wedding Photographer]
I started shooting weddings in 2010, it was the beginning of my new documentary vision and wedding's reportages. It was for me as a revelation! Indeed, we can shoot weddings and document what's really happening during the whole day from the preparation to the dance floor. I love traveling and discovering different places. I shoot all around the world for my personal work with a medium format film camera (Bhutan, Oman, Nepal, Guatemala, Morocco, Myanmar, Laos, Thailand, Cambodia, India, Indonesia and many other countries in Europe). Creating, discovering and meeting new people is very important to me. My approach is humanistic and passionate, that's why wedding documentary makes sense for me. [Lyon Wedding Photographer]
I'm a keen observer. I've always been. I remember my mom kept telling me not to stare at people when I was a kid. I don't seem to have listened as I keep staring at people, only now I do it through the viewfinder of my camera. My interest in photography started back in the mid-'80s when I was barely a teenager. I saved for over a year to afford my first camera, which was a Nikon FM2 with a 50mm lens. A fully manual, film camera that I still own to this day and that still takes perfectly good pictures. It was a time when cameras and photographs were both meant to last. Cameras were mostly mechanical machines and photographs were physical prints, created on film and impressed on paper. There was something tangible about taking a picture and pictures, even normal family vacation pictures, were taken to make a statement. I remember leaving for several days with my family and I could take with me 1 or maybe 2 rolls of film. That was 36 or 72 exposures total. So, pressing the shutter was something exciting that came at the end of a thoughtful process, which could take minutes or a split second, but still: taking a picture was making a statement. And if you think about it, these photographs are still around, be it in albums or boxes in the closet. It may be your pictures as a child or the pictures of your parents or grandparents. They are still doing their work of preserving a memory, of passing down to generations information about people who came before us. They are telling us who we are and where we come from. Fast forward a few decades, come digital sensors and smartphones and photography has radically changed, in that cameras seem to only last a few years before going obsolete and pictures are taken by the thousands, very few of which, if any, will ever be printed and stand any chance to be looked at by anyone in 10 years or more. Still, my job is to take photographs of weddings and I like to come from the bygone era of photography that was meant to last when the shutter was pressed to make a statement. That has stuck with me, even if I'm working with digital cameras and the 36 exposures roll has turned into a multi-thousand pictures capacity memory card. My mindset hasn't changed, the excitement of seeing all the elements come together to make the frame I am looking for and pressing the shutter, that hasn't changed either. I'm entering my 10th year as a professional wedding photographer now. It all happened almost by chance, when I was facing decisions about my 15 years long corporate career and my personal life had me rethink my professional path. I was asked to shoot a friend's wedding but I hadn't practiced photography since ages. I learnt photography technique when I was in my teens then put it aside as my hobby is and has always been guitars. So I borrowed a digital camera and took this people's wedding pictures without ever been taught how to shoot a wedding. I just went out there and took pictures of what I saw, without ever giving directions to anyone as I had no idea how things were supposed to be directed. It was documentary wedding photography without me knowing it. Turns out, everybody loved the pictures. I was loving guitars and music so much and hoping to be loved back but as it went, photography loved me more than guitars ever did. I had a talent and the responsibility of making it grow. In the meanwhile, I started my business. I already had the basic techniques down from my younger days, so I studied the work of the masters. Photographers that always appealed to me such as W. Eugene Smith, H. Cartier Bresson, Don Mc Cullin, Elliott Erwitt, Salgado and the more I studied, the more I discovered, the more books I acquired: Alex Webb, Fan Ho, Josef Koudelka, Bruce Gilden, Robert Frank, James Nachtwey among the others. The best way to improve your lexicon is to read books. Likewise for photography, studying the work of the masters on photography books is what develops your own photographic language. What educates your way of looking at things and crafting a picture, to make your statement. To this day, I've shot approximately 300 weddings. Anything from eloping couples and a pair of guests to 200+ people events. No matter how big and fancy or small and simple, it's always about telling the story of my clients through my pictures. It's about putting my photography lexicon to work to craft images that will be true to my clients, to their day, to their vision. They provide the content, I provide the style. Simple as that. [Savona Wedding Photographer]